主演:皮奥洛·帕斯奎尔 约翰·洛伊·克鲁兹 HazelOrencio
导演:拉夫·迪亚兹
简介:1896年菲国独立前夕,独立先锋邦尼法素遭敌对革命军奸计杀害,妻子孜孜展开一段遍山寻找丈夫遗体的长征,革命军自相残杀、西班牙殖民者的无间阴谋铺展开来,相关历史、文学与神话无一遗漏,恩怨情仇难三言两语,狄亚兹以长镜头凝视,掘出埋没的历史真相。革命英雄至今尚未获追认,就由光影做个见证。菲律宾历来最强卡士阵容,也史无前例最长的一部柏林影展竞赛片。今年柏林影展AlfredBauer银熊奖。
主演:切洛·桑托斯-孔奇奥 约翰·洛伊·克鲁兹 迈克尔·德·梅萨 诺尼·布埃诺卡米诺 沙梅恩·布埃诺卡米诺 梅·帕纳 梅恩·厄斯塔内罗 玛乔丽·洛里科 劳·罗德里格斯 卡凯·鲍蒂斯塔
导演:拉夫·迪亚兹
简介: 赫萝西亚(切洛•桑托斯-孔奇奥 Charo Santos-Concio 饰)本是一名与世无争的老师,却因为平白无故遭到诬陷而被关进了监狱,面临着三十年的监狱生活。在这漫长的三十年即将接近尾声之时,赫萝西亚的冤屈被平凡,她被无罪释放了。原来,赫萝西亚在监狱里最好的朋友皮特罗(Shamaine Centenera 饰)承认当初正是自己诬陷了赫萝西亚。就这样,赫萝西亚重新回到了阔别已久的社会中。 三十年的时间实在是太长了,这期间,许多事情都发生了翻天覆地的变化。赫萝西亚的丈夫已经去世,儿子莫名失踪,女儿背井离乡。赫萝西亚开始调查这场阴谋背后的真相,发现这一切和自己的前男友(Michael De Mesa 饰)有着千丝万缕的关联。
主演:Perry Dizon Roeder Hazel Orencio
导演:拉夫·迪亚兹
简介:1972年在菲律宾的一个偏远乡村发生了许多神秘事件。森林里传来哭泣声、母牛被砍死、在田间发现流血死去的男人、许多房屋被烧毁。军事行动越来越普遍,残忍的民兵统治着乡村。费迪南德·E·马科斯宣布1081号公告命令,实行全国戒严。
主演:安吉尔·阿基诺 巴特·金戈纳 Roeder 乔尔·托雷 安吉莉·芭雅妮 Dante
导演:拉夫·迪亚兹
简介:A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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